She is dressed in a red hood and blue jeans, the red symbolizes her strong, colorful personality. Red is also a symbol for life and vitality, a color symbolism very suitable for the scene. As she takes the test, the camera cuts between close-ups of Junos legs as she sits down, the pregnancy test and her face. These close-ups make the relationship between Juno and the viewer intimate and one gets to feel sympathy for her. It is important to anchor the sympathy for Juno in the beginning of the film since the viewer will get to follow her during her journey.
Juno leaves the store and walks home, the camera follows her from behind. Darkness has fallen and Juno has put the hood over her head as a way to alienate herself from the surrounding world. As she walks, a group of guys from her school comes running towards her. They are out of focus and run by her on both sides, creating like a tunnel for Juno to walk through. Juno is portrayed as a stubborn, cocky girl who takes her own way in life.
She wears loose fitted jeans, t-shirts, pullovers and hoods. As the Leah is introduced to the audience, the contrasting personalities between the two friends are shown trough the mise-en-scene.
When Juno calls Leah to tell her about the pregnancy, the camera cuts between the two girls and their bedrooms. Junos room has a shoebox feeling to it. There are photos of her friends, posters and different paintings all over the walls as well as the ceiling.
The dominating colors are earthy tones of brown, red and orange. She has stuffed animals on a shelf and big windows with thin, light curtains. When darkness falls, Leah is helping to move everything that is needed. They help each other to lift a heavy armchair into the trunk of Junos car.
In this scene, the armchair is a symbol for the pregnancy, something that only the girls know of so far. It is still a complex, heavy secret kept in the dark, just like the chair. Reirman uses color values in a broad way through the film, especially when it comes to the characters clothes.
In the loading of the armchair scene, Juno wears a red hood while Leah wears a blue. This highlights the different personalities of the two young girls even more.
As the pregnancy progresses the color of Junos clothes changes from the bright red hood to earthier, duller colors in green and brown shades. This color change reinforces Junos situation and the effect the pregnancy has on her life. Another example of color value being used is when Vanessa gets to see her son for the first time. She is then wearing a yellow sweater, symbolizing the joy she feels after finally becoming a mother.
A task she feels she has been born to. During a visit to the prospective adoptive parents Juno finds out that Mark is going to divorce Vanessa, sad and frustrated she heads back home.
The camera is shooting from the backseat as Juno is driving; she is placed to the left of the frame and the long, empty road ahead of her to the right. This creates a movement from left to right, giving the viewer a feeling of optimism and that everything will work out for the best. The camera cuts to a panning shot as Juno parks the car by the side of the road. A cut to a low angle is made, showing a close up of Juno as she cries. The gray seat, ceiling and the steering wheel creates a tight frame around Juno.
There is a claustrophobic feeling through the setting, which emphasizes the fragile state Juno finds herself in. Juno decides that if Vanessa is still willing to be a mom, Juno is willing to give her the baby. The majority of the film is shot in high key lightning, typical for comedy movies. This goes for the scene at the hospital when the baby is born as well.
However, in the next scene this will change. MacGuff as he pats the head of his daughter who just gave birth. The lightning has gotten softer, giving the yellow color of the walls a warm soothing glow.
There is calm and a balance over the scene, giving the feeling that everything is going to be okay from now on. The camera then cuts to a shot from Junos point of view showing Bleeker standing in the door opening.
The walls behind Bleeker are blue and contrasting to the goldish colors in Junos hospital room. A reality more suitable for two year-old kids, where they do not have to be parents. Juno is a realistic film anchored in reality, there are several references to modern culture to underline this. The look on his face basically says it all. He looks scared and shocked; he also looks like he wants to run away with the others runners that just ran by his house. This is something that no teenage boy wants to go through and he is too stunned to say anything for a minute.
This is a great example of facial nonverbal communication. Paulie is saying all of these things through his facial expression he has after he is told he is going to be a father. I use facial expressions a lot, for instance, I can just be standing and thinking about a memory that made me upset and I'll get a frown on my face or if I think of something happy I'll get a smile of my face. I have caught myself doing this quite often while I'm standing at my register at work.
Facial expressions can tell people how you are feeling unless you are very good at hiding your emotions. Another communication theory I observed in Juno was the relationship rules theory.
There is a certain part in this movie where Juno gets close to Mark and I believe that Mark sees their close friendship in a different way than Juno does. Towards the end of the movie where Juno goes to visit him while he is in the basement area they somehow end up dancing. Mark breaks their friendship by crossing very specific lines that Juno did not want broken. He dances really close to her and tells her that he is leaving his wife, Vanessa.
I think that this rule is broken a lot when people like each other because they read too much into what the other person does and starts assuming that the other person likes them the same way as they like that person. The last scene I have chosen is at the end of the movie after Juno gives Vanessa her baby.
Juno and Paulie are together finally and are singing. They are showing some of the signs of the romantic rules. They are expressing similar interests by playing the same song and singing different parts of the same song.
They will be there for each other and bring each other up when they are down. So in conclusion I think this movie shows a lot about nonverbal communication and relationships, you can see this from the beginning of the movie until the end.
Juno The film I have chosen for this paper is the drama-comedy Juno directed by Jason Reirman. It is a domestic comedy with anarchic elements. In the film, you get to follow Juno MacGuff, a years-old girl, as her life changes when she finds out that she is pregnant. It’s a realistic film told from Juno’s point of view. The film touches several .
Juno is a realistic film anchored in reality, there are several references to modern culture to underline this. Films and “hobbits” are mentioned, but the main thing is the music. Music is a big part of Junos life and her personality.
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