But before Susan can finish her sentence, Gettys emerges at the center of the doorway, which places all importance on him and finalizes the diagonal line in the framing. The lighting comes from the room behind Gettys, so he is nothing more than a dark shadow that has been backlit, symbolizing his unethical and corrupt mentality.
The third, a medium shot of all four characters, which where taken at eye-level. All four of them will be affected by the forthcoming events and are almost trapped in the quant apartment. The lighting in this scene shines on everyone facing the doorway providing them ample key or key and fill light, but leaves Gettys as the dark figure that is solely backlit with heavy contrast against the illuminated interior of the apartment. As soon as Emily makes her entrance into the apartment and passes Gettys, emotions between Kane and Gettys come to a head and confrontation is inevitable.
This is made quite evident as the camera quickly tracks forward, framing a two-shot in the foreground of Kane and Gettys with Emily occupying the spatial difference in the middle ground, which was her calm to the emotional tensions. This subtle change in blocking had altered the lighting scheme slightly, Gettys know had some rim and fill light since he had moved to the right, where as Kane occupied Gettys position and was now backlit.
This choice in blocking finally reveals the true nature of both corrupt individuals. In the fourth shot, Gettys exists camera right, leaving Kane and Emily to be portrayed with a medium shot while discussion continues about the love affair and its role in affecting the election. Her is an interesting contrast or lack there of, in regards to their attire and the tonality of the background. Kane is black on black and Emily is white on white.
Since both had a standard fill light on them, the only lighting difference was the key light that was acting as a rim light. Susan then interrupts the dialogue between Kane and Emily as she enters the scene camera left, since she too will be affected by Gettys scheme. Kane and Susan are placed side by side in the frame because it is their affair that has led to the situation. Once again, Kane is nothing more than a shadow.
The angle then pans slightly to the left, which switches the composition to a medium shot of Kane and Gettys in the middle ground and with Emily to the left side of the foreground in an almost over the should framing.
Susan is purposefully cut out of this shot because she has been silenced due to her level of involvement. Kane and Gettys do not care about her or anyone else, just their own personal agendas, which is shown by their lack of key or fill light and again being solely backlit and having a high contrast with the background.
The main focus in this shot is on Kane as he approaches Gettys in search of confrontation. They are both battling for their lives and their emotions intensify. Gettys takes a couple steps forward and address Emily, by doing so he enters a high-key area, which alters the blocking symmetry to represent a triangle. This is extremely symbolic of the predicament that they all find themselves apart of.
Susan attempts to re-enter the conversation by clinging tightly to Kane, who in return shows absolutely no recognition of her presence.
Realizing this she then interrupts the symmetrical triangle formed by the Kane, Gettys, and Emily but as a result Gettys shadow covers most of her body. The camera has changed degrees to a medium shot of Susan, Emily, and Gettys all facing Kane and lit quite evenly. Gettys, Emily, and Susan all voice their views to Kane, and all three are light up with an even spread of light. Thinkswap Satisfaction Guarantee Each document purchased on Thinkswap is covered by our Satisfaction Guarantee policy.
Claim a Thinkswap Bounty Do you know if the Subject listed above has changed recently? Report a Subject Change. Topics this document covers: What are Exchange Credits: The film, centring on the investigation of the mystery of Charles Foster Kane is conveyed through various accounts of his life made by the media and four different narratives, each telling us an aspect of the story from a particular point of view.
These techniques highlight the many memorable ideas that Citizen Kane - George Orwell This student studied: Citizen Kane Essay This student studied: Citizen Kane Speech This student studied: Browse other Institutions and Certificates. Sign Up Articles Help Centre. Search for University or High School documents on Thinkswap.
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Citizen Kane Review - Essay #2: Citizen Kane Review Orson Welles’ production of Citizen Kane revolutionized film making by mastering the art of using cutting edge techniques to make it one of the most single revolutionary and .
Citizen Kane Questions and Answers. The Question and Answer section for Citizen Kane is a great resource to ask questions, find answers, and discuss the novel.
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Citizen Kane essays are academic essays for citation. These papers were written primarily by students and provide critical analysis . Citizen Kane Essay – Consequences of Obsession In Citizen Kane, Orson Welles explores the consequences of obsession. Such obsessions include Kane’s desire to win the love of others, regaining his lost childhood, Kane’s obsession with his reputation and public image, and Thompson, the journalist, seeking to unravel the mysteries of Kane’s .