Ten of the sixteen poems in North of Boston consist almost entirely of dialogue, one is a monologue, and several others incorporate colloquial lines. While he continued from time to time to base poems on dialogue—especially between husband and wife—dialogue does not dominate any of his later books. Mountain Interval , his first book to appear originally in the United States, offers much greater variety in form: These poems convey a number of themes and even more attitudes.
The woods can be a place for restoration of the spirit through vigorous activity and communion with nature, the locus of deep and sometimes sinister psychic forces, or a happy hunting ground for analogies of the human condition generally.
Frost portrays both the perils and joys of isolation. These are the times that tend to isolate people, to throw them on their own resources, to encourage reflection. Frost is also a daylight observer of ordinary people and their ways.
His world is also one of neighbors, passing tramps, and even garrulous witches. Neither children nor sophisticated adults appear very often in his poetry. Rooted in the countryside, his writing focuses on simple things and people. He used language with the same economy and precision his characters display in their use of the scythe, the axe, and the pitchfork. Demonstrating how much can be done by the skillful application of simple tools, Frost has left to an increasingly industrialized and impersonal society a valuable legacy of poems celebrating basic emotions and relationships.
The husband has just returned from burying their young son in a family plot of the sort that served northern New Englanders as cemeteries for generations.
The wife, unable to understand his failure to express grief vocally, accuses him of indifference to their loss; he, rankled by what he considers a groundless charge, tries blunderingly to assure her, but they fail to comprehend each other.
The poem is nearly all dialogue except for a few sections of description which work like stage directions in a play, serving to relate the couple spatially and to underline by movement and gestures the tension between them. Although the poem does not require staging, it is easily stageable, so dramatically is it presented. The reader surmises that the two really do love—or at least have loved—each other and that the difficulties between them have resulted not from willful malice but from clashes of temperament and different training.
The man is expected to be stoical, tight-lipped in adversity. Having learned to hide his feelings, he is unable to express them in a way recognizable to his wife, with her different emotional orientation. Nor does she realize that a seemingly callous remark of his about the rotting of birch fences may well constitute an oblique way of referring to the demise of the child that he has helped make. Instead she draws the conclusion that, because he does not grieve overtly as she does, he has no feelings.
Because he is inexpert at oral communication, he cannot say the kind of thing that might alleviate her grief. The poem becomes a painful study in misinterpretation that is in the process of leading to the disintegration of a marriage. In the early twentieth century, avant-garde poets were strongly resisting traditional verse poems, but Frost had his own way of escaping the tyrannizing effects of meter. Frost showed that ordinary people could inhabit a poem, could talk and argue and move convincingly within a medium that William Shakespeare and John Milton in the sixteenth and seventeenth centuries had tended to reserve for aristocrats and angels.
Will the wife leave, as she threatens? If so, will he restrain her by force as he threatens, or will he resign himself to the status quo, as he has before? He had known conflict in his own marriage and observed it in other marriages; he certainly knew the ways in which spouses might resolve, or fail to resolve, their conflicts. What he chose to do was provide an opportunity to eavesdrop on a bereaved couple at an agonizing moment and feel their passion and frustration.
Like many of his poems, it seems simple, but it is not exactly straightforward, and even perceptive readers have disagreed considerably over its best interpretation. It looks like a personal poem about a decision of vast importance, but there is evidence to the contrary both inside and outside the poem.
Frost has created a richly mysterious reading experience out of a marvelous economy of means. Almost immediately, however, he seems to contradict his own judgment: He decides to save the first, perhaps more traveled route for another day but then confesses that he does not think it probable that he will return, implying that this seemingly casual and inconsequential choice is really likely to be crucial—one of the choices of life that involve commitment or lead to the necessity of other choices that will divert the traveler forever from the original stopping place.
Has Frost in mind a particular and irrevocable choice of his own, and if so, what feeling, in this poem of mixed feelings, should be regarded as dominant? There is no way of identifying such a specific decision from the evidence of the poem itself. On more than one occasion the poet claimed that this poem was about his friend Edward Thomas, a man inclined to indecisiveness out of a strong—and, as Frost thought, amusing—habit of dwelling on the irrevocability of decisions.
What is clear is that the speaker is, at least, a person like Thomas in some respects though there may well be some of Frost in him also. Critics of this poem are likely always to argue whether it is an affirmation of the crucial nature of the choices people must make on the road of life or a gentle satire on the sort of temperament that always insists on struggling with such choices.
Frost composed this poem in four five-line stanzas with only two end rhymes in each stanza abaab. The flexible iambic meter has four strong beats to the line. Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference. It is an effect possible only in a rhymed and metrical poem—and thus a good argument for the continuing viability of traditional forms.
There is no bibliography included In seven pages this paper discusses how poet Robert Frost employed symbolism with an analysis of 'Mending Wall. In three pages this paper examines the theme of isolation within the context of this poem by Robert Frost. There is a 1 page sent In eight pages this paper discusses how applying outside sources can be useful in achieving a greater understanding of 'The Road N In 3 pages a thematic examination and analysis of technique employed by Robert Frost in his poem 'The Road Not Taken' are presente Need A College Level Paper?
Please enter a keyword or topic phrase to perform a search. How the Poetic Works of Robert Frost Reflect the Poet's Life In five pages this paper analyzes the structure, form, and setting of Robert Frost's poems in a consideration of how his life infl Poetic Themes of Robert Frost In six pages this paper examines 3 of Robert Frost's poems in a thematic consideration of individuality, nature, and also discusse Robert Frost's Poetic Themes In five pages this research paper considers how farming and nature are favorite themes of poet Robert Frosts.
Personal Journey Undertaken in 'The Road Not Taken' by Robert Frost In five pages this student writer personally responds to this poem in a consideration of a life experience that is related to the Symbolism in 'Birches' by Robert Frost In two pages this paper discusses the implications of the imagery and symbolism featured in the poem 'Birches' by Robert Frost. Hurt and 'Home Burial' by Robert Frost In three pages this poetic narrative by Robert Frost is analyzed in terms of burial and tree planting motifs, other symbolism, the Explication of 'Mending Wall' by Robert Frost In five pages this paper presents an explication of the poem 'Mending Wall' that focuses upon its primary themes.
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Robert Frost was born in San Franciso on March 26, , but later moved to Lawrence, Massachuschusetts (after his father died) where he did most of his writing. He was a simple man who taught, worked in a mill, was a reporter, wa, research paper. Research Paper How Robert Frost’s Life Experiences Created His Individuality and Affected His Poems Robert Frost has been considered as the most widely known and the most appreciated American poet of the twentieth century since he was preeminent and talented. There is an old saying that “Genius is one percent inspiration and ninety-nine.
Robert Frost Robert Frost, an Americian poet of the late 19th century, used nature in many of his writings. This paper will discuss the thought process of Frost during his writings, the many tools which he used, and provide two examples of his works. Research Paper Examples - Robert Frost's Fire and Ice Interpretation Analysis and Technique.